FUJIFILM has today unveiled its soon to be released X-T3 mirrorless digital camera. The X-T3 is the latest model in the X Series range, renowned for its unique colour reproduction technology and ability to deliver outstanding image quality in both stills and video.
Available in Australia from the end of September 2018, the X-T3, features the new 4th generation X-Trans CMOS 4 (*2) sensor and X-Processor 4 image processing engine, building on seven years’ continuous research and development.
26.1MP APS-C X-Trans BSI CMOS 4 Sensor
X-Processor 4 with Quad CPU
UHD 4K60 Video; F-Log Gamma & 10-Bit Out
2.16m-Point Phase-Detection Autofocus
0.75x 3.69m-Dot OLED Viewfinder
3.0" 1.04m-Dot Tilting LCD Touchscreen
Extended ISO 80-51200, 30 fps Shooting
Bluetooth and Wi-Fi; Sports Finder Mode
Weather-Sealed Magnesium-Alloy Body
The X-T3 takes full advantage of the capability of these fourth-generation devices to enjoy significant performance improvements, including:
Higher image quality: 26.1MP resolution the highest for an APS-C size sensor. Also, it maintains the same low level of noise as current models (*3) even increasing the number of pixels.
Professional grade video performance: World’s first (*1) APS-C mirrorless digital camera to support 4K/60P 4:2:0 10bit internal SD card recording, as well as 4K/60P 4:2:2 10bit HDMI output, which can be filmed at the same time. Also, featuring the video-specialised Film Simulation mode “ETERNA,” popular with the X-H1.
Improved AF performance: 1.5 times faster processing speed than current models (*3) to deliver faster and more accurate AF, and substantially enhanced performance in face/eye detection AF thanks to 2.16M phase detection pixels arrayed at entire frame.
Enhanced motion tracking: Delivering blackout-free continuous shooting (*4) of up to 30 fps while using smooth Live View of 60fps to check your subject.
The FUJIFILM X-T3 features a newly-developed back-illuminated “X-Trans* CMOS 4” sensor, the fourth generation to feature in the X Series. Boasting a resolution of 26.1MP, the sensor uses a unique colour filter array, synonymous with X-Trans CMOS sensors, to control moiré and false colour without the use of an optical low-pass filter. Its back-illuminated structure enhances image quality while maintaining a high S/N ratio. Furthermore, ISO160, previously available only as extended ISO, is now part of the normal ISO range, allowing you to achieve incredibly clean, noise-free images.
The FUJIFILM X-T3 uses the X-Processor 4, an evolved version of X Series’ image processing engine that boasts advanced processing capabilities. The new processor, combined with a new algorithm, enhances the Film Simulation modes, substantially improving the camera’s ability to track moving subjects, boosts AF’s speed and accuracy, and allows for a more diverse range of video functions. It maximizes the full potential of X-Trans CMOS 4 sensor to deliver the highest performance in all aspects in the history of X Series.
X-T3 Key Features
1. Use of the Series’ fourth-generation devices, new sensor “X-Trans CMOS 4” and new processor “X-Processor 4,” for the highest image resolving performance, colour reproducibility and fastest processing in the history of the X Series
The X-T3 features the X Series’ fourth-generation APS-C sensor, newly developed “X-Trans CMOS 4” (26.1MP, without low-pass filter). It uses the unique colour filter array synonymous to X-Trans CMOS sensors to control moire and false colours and adopts the Series’ first back-illuminated structure to improve image resolution without compromising the S/N ratio. Furthermore, the sensitivity of ISO160, previously available only as extended ISO, is now part of the normal ISO range. It is very useful in daylight outdoor shooting or when trying to achieve bokeh with a fast large-aperture lens.
The X-T3 uses the new “X-Processor 4” image processing engine to add the new “monochrome adjustment” function to the Film Simulation modes, which are based on FUJIFILM’s proprietary technology to deliver diverse colour expressions. Warm black and cool black, conventionally achieved with a choice of specific photographic papers and developers, have been faithfully reproduced digitally to broaden the scope of monochrome expressions. This function is available in the standard “Monochrome” mode as well as the “ACROS” mode, which provides smooth halftones, deep blacks and beautiful textures.
The “Colour Chrome Effect,” previously only available in FUJIFILM’s medium-format mirrorless digital camera “GFX50S,” is featured in the X-T3, the first in the X Series. The effect produces deeper colours and gradation in subjects with highly saturated colours, such as vivid-coloured flowers with shadows - a notoriously difficult photo subject for gradation reproduction. The high-speed processing power of the X-Processor 4 means this effect can be applied not only in single shots but also in continuous shooting.
Enhanced viewfinder performance improving the ability to track a moving subject
(1) The X-T3 features a 3.69-million-dot high-resolution EVF with a high magnification ratio of 0.75x. The display time lag of just 0.005 seconds and refresh rate of approx. 100 fps ensure smooth display of motions, allowing you to precisely identify subject movements and focus positions. Unlike current models (*3), continuous shooting of 11 fps with the mechanical shutter no longer requires the optional vertical grip, enabling fast continuous shooting while keeping the camera weight low.
(2) The new “Sports finder mode” makes it easy to capture a moving subject. The mode shows approx. 16.6M (1.25x crop) area marking in the LCD/viewfinder, and shoots the area within the marking. This is particularly useful for sports photography and wildlife photography, as you can check the movements of a subject just outside the shooting frame and take advantage of shorter-than-usual blackout time.
(3) Increased read speed from the sensor and high-speed processing capability have made it possible to enjoy AF/AE-tracking, blackout-free continuous shooting(*4) of up to 30 fps in approx. 16.6M (1.25x crop) mode, while using smooth Live View of 60fps to check your subject. The rolling shutter distortion, a typical issue of electronic shutters, has been halved compared to current (*3) models.
(4) In order to never miss a crucial shutter moment, the X-T3 has the new “Pre-Shoot” function (*4), in which the camera starts shooting as soon as the shutter button is half-pressed. You will never miss an important photo opportunity, previously caused by time lag between the moment when the shutter button is fully pressed and the moment when a photo is actually taken.
Design/operability and expandability
(1) The X-T3 inherits X-T2’s popular design features such as the positioning of dials on the top panel, central viewfinder style for an added sense of stability, and excellent grip design for comfort. The silver colour is available in the lineup as standard, which features more classical tone compared with graphite silver, limited edition for previous models. It's styling that reminds you of traditional film cameras is combined with outstanding practicality, making it photographic equipment that is a pleasure to own for many years to come.
Model Name
FUJIFILM X-T3
Number of effective pixels
26.1 million pixels
Image sensor
23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with a primary colour filter.
JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW(RAF original format), RAW+JPEG
Number of recorded pixels
L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416 x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080
Lens mount
FUJIFILM X mount
Sensitivity
Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO160 to 12800(1/3 step) Extended output sensitivity : ISO80 /100 /125 / 25600 / 51200
Exposure control
TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
Electronic Shutter*3
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed
Electronic front curtain shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
Mechanical + Electronic shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
E-front + Mechanical shutter
P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec.
E-front + Mechanical + Electronic shutter
P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.
Movie
FHD: 1/8000sec.-1/4sec. DCI4K/4K: 1/8000sec.-1/24sec. (depends on the frame rate)
* Speed of continuous shooting depends on shooting environment and shooting frames
Auto bracketing
AE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV?5/3EV?2EV?7/3EV?8/3EV?3EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (Frames: 1-999, Step: 1-10, Interval: 0-10s)
Focus
mode
Single AF / Continuous AF / MF
type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
AF frame selection
Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 from 91 areas on 13×9 grid Wide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: Tracking All
White balance
Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer
10sec. / 2sec.
Interval timer shooting
Yes (Setting : Interval, Number of shots, Starting time)
Flash modes
SYNC. MODE
1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) (excl. EF-X8)
FLASH MODE
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF (When EF-X8 is set) TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF (When SHOE MOUNT FLASH is set)
Hot shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder
0.5 inch approx. 3.69 millions dots OLED Color Viewfinder Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 23mm (from the eyepiece lens) Diopter adjustment: -4-+2m-1 (lockable) Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1 Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° ) Built-in eye sensor
LCD monitor
3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color LCD monitor(approx. 100% coverage)
* All Intra can be used with following settings. DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps Full HD(2048×1080)/Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps
File size / Frame rate / Recording time
[DCI 4K(4096×2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
[4K(3840×2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
[Full HD(2048 ×1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920×1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920×1080) High speed rec.] 120p/100p 200Mbps(recording) up to approx. 6min.
* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
* For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
* Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
* DCI4K 59.94p/50p is not available when H.264 is selected.
* Although movie recording will continue without interruption when the file size reaches 4GB, subsequent footage will be recorded to a separate file which must be viewed separately.
Film Simulation mode
16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema) B & W Adjustment: -9-+9
Grain effect
STRONG, WEAK, OFF
Color chrome effect
STRONG, WEAK, OFF
Dynamic range setting
AUTO, 100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Advanced filter
Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Wireless transmitter
Standard
IEEE 802.11b / g / n (standard wireless protocol)
Encryption
WEP / WPA / WPA2 mixed mode
Access mode
Infrastructure
Bluetooth®
Standards
Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency [Center frequency]
2402 - 2480MHz
Terminal
Digital interface
USB Type-C (USB3.1 Gen1)
HDMI output
HDMI micro connector (Type D)
Others
ø3.5mm, stereo mini connector (Microphone) / ø3.5mm, stereo mini connector (headphone) / ø2.5mm, Remote Release Connector Hot shoe, Synchronized terminal
Power supply
NP-W126S Li-ion battery (included)
Battery life for still images*4
Approx. 390 frames (NORMAL MODE) When XF35mmF1.4 R is set.
