$3,899.00
Financing options
High-speed sequential shooting that changes the world of photography: Olympus OM-D E-M1 Mark II
The OM-D E-M1 Mark II possesses high-speed performance that cannot be imitated. By developing the 20M Live MOS sensor together with the TruePic VIII image processor, not only has image quality exponentially improved from past OM-D models, but high speed performance of 18 fps in AF/AE tracking and 60 fps in AE/AF lock have been realised. The electronic viewfinder provides smooth and fast display at a 120-fps frame rate and a 0.005-second display time lag, so you will never miss a shot. These cutting-edge technologies are packed into a compact, lightweight, and weather-resistant body, allowing you to shoot beautiful images in the most brutal environments. In addition to all of the functions the camera comes with, firmware updates will become available to further enhance photographic performance and keep your E-M1 Mark II in the best condition possible. The new flagship OM-D will change the world of photography.
A flagship model with 121-point all cross-type On-chip Phase Detection AF, offers a 18 fps high-speed sequential shooting in AF/AE tracking.
The Olympus OM-D E-M1 Mark II is equipped with the newly developed
high-speed TruePic VIII image processor that is 3.5 times faster than
previous processors, and the new 20.4 Megapixel Live MOS sensor
equipped with a 121-point all cross-type On-chip Phase Detection AF
sensor for better image quality and faster speed than ever before. Even in
AF and AE tracking, 18 fps high-speed sequential shooting is possible at
20.4 Megapixel for both excellent image quality and high-speed
performance.
Feature Highlights
1. High-speed sequential shooting and
AF performance for capturing split-
second moments, and maximum 18
fps sequential shooting
performance in AF/AE tracking
2. Dustproof, splashproof and
freezeproof (-10°C) performance in
a compact, lightweight design for
both excellent mobility and reliability
3. Excellent image quality achieved
with the high-speed TruePic VIII
image processor and 20.4
Megapixel Live MOS sensor
4. Advanced in-body 5-axis Image
Stabilization and Electronic
Stabilization provide beautiful hand-
held image quality and support for
4K-compatible OM-D Movie
5. Silent mode and other original
Olympus shooting features expand
the realms of shooting
6. ISO 64 equivalent ISO LOW setting
7. Ultra high-resolution image quality
with 50MP High Resolution Shot
8. HDMI Monitor connection and Rec
Sync for pro movie shooting
9. Focus Stacking mode / Focus
Bracketing
10. Live Composite / Live Bulb shooting
The M.Zuiko Digital ED 12-100mm F4.0 IS PRO zoom lens was designed and developed to provide excellent image quality and high magnification, all in a compact size. When combined with a Sync-IS-compatible camera, 5-axis Sync IS can be utilized, delivering the world's most powerful stabilisation performance equivalent to 6.5 shutter speed stops.[1] This is a professional high-magnification zoom lens that truly meets the demands of professional photographers.
Professional high-magnification zoom
Unrivaled mobility
Excellent image quality and high magnification in a compact size
A fast, constant f/4.0 aperture throughout the entire zoom range
MSC mechanism for high-speed, high-precision FAST AF
Lens coating that keeps images clear
Compatible with 5-axis Sync IS
World's most powerful stabilisation performance equivalent to 6.5 shutter speed stops[1]
Allows recordng video with minimal shake
1.5-cm working distance for fantastic close-ups
Reliable dustproof and splashproof construction
Renowned quality and operability of the PRO series
Separately available lens accessories
The M.Zuiko ED 12-100mm F4.0 IS PRO is a compact zoom lens designed to provide excellent image quality and high-magnification, meeting the demands of professional photographers.
Unrivaled mobility
Excellent image quality required by professional photographers is delivered throughout the entire zoom range, from the 24mm[1] wide angle end to the 200mm[1] telephoto end. The performance of two competitor lenses[2] is packed into this one lens, providing outstanding mobility for the photographer. Wide-angle shots, telephoto shots, macro shots, nightscapes, and movies can all be taken with this one lens.
Competitor Comparison
Comparison
Competitor
M.Zuiko Digital ED 12-100mm F4.0 IS PRO
35mm-equivalent focal length
1. 24mm - 70mm
2. 70mm - 200mm
1. 24mm - 200mm
Maximum aperture
f/4.0
f/4.0
Exterior
Weight
1300 g or more (2 lenses combined)
561 g
Optical design that realizes optimal performance and mobility
This lens lavishly uses special lens elements for excellent image quality and high magnification in a compact size.
DSA (Dual Super Aspherical) lens
Aspherical lens
ED (Extra-low Dispersion) lens
Super HR (High Refractive Index lens) lens
HR (High Refractive Index) lens
Image stabilising lens
Focus driving lens
Excellent image quality
Four aspherical lenses including a DSA lens are effectively placed to suppress aberrations that may occur when zooming. Five ED lenses suppress colour bleeding that tends to occur at the telephoto end, and secure image quality to the very edges of images throughout the entire zoom range.
Compact, lightweight package
DSA lenses and Super HR lenses are used to keep the number of lenses in the configuration to a minimum. Also, DSA lenses are made of glass with a higher refractive index than previous products, making the lens more compact.
Constant f/4.0 at any focal length
A maximum aperture of f/4.0 is delivered throughout the entire zoom range from wide-angle to telephoto, overturning the conventional wisdom that the telephoto side of a zoom lens is always darker.
The MSC mechanism: what makes high-speed, high-precision FAST AF possible
The MSC (Movie and Still Compatible) mechanism is an advanced inner focusing mechanism providing fast, smooth, quiet, and accurate auto-focusing. It is made possible by Olympus high-precision lens fabrication technology which makes the focusing lenses lighter. This not only contributes to the speed and precision of focusing, but also to keeping the lens compact. With Face Detection AF and Eye Detection AF available on Olympus interchangeable cameras, auto-focusing is taken to another level.
Z Coating Nano helps produce clear images
The new Z Coating Nano technology is used on this lens to thoroughly suppress ghosts and flares, providing the photographer with sharp, clear images. By coating the lens surface with a layer of nanoscale-size particles filled with air, a coating layer with a similar refractive index as air is achieved, for reduced surface reflection.
Air
Nanoparticles
Incident light
Reflected light
Vapor deposit film
Lens
Compatible with 5-axis Sync IS
The M.Zuiko Digital ED 12-100mm F4.0 IS PRO includes an in-lens image stabilisation system, which, when combined with the Olympus camera[3] in-body 5-axis image stabilisation, makes 5-axis Sync IS possible.
World's most powerful stabilisation performance equivalent to 6.5 shutter speed stops
5-axis sync IS achieves 6.5 shutter speed stops[3] of stabilisation performance. On its own, the lens achieves 5 shutter speed stops[4]of stabilisation performance.
Record videos with minimal shake
Using 5-axis Sync IS makes it possible to suppress shaking that tends to occur when recording videos.
1.5-cm working distance for fantastic close-ups
Despite being a high-magnification zoom lens, it possesses incredible close-up shooting capabilities with a working distance of 1.5 cm.
Angle of view
Working distance
Closest focusing distance
Shooting magnification (35mm-equivalent in parentheses)
Wide angle
1.5 cm
15 cm
0.30x (0.60x)
Telephoto
27 cm
45 cm
0.21x (0.42x)
Reliable dustproof and splashproof construction
Hermetic sealing in 12 locations protects against ingress of dust and water droplets, making it possible to shoot in any situation without worry.
Renowned quality and operability of the PRO lens series
The Olympus PRO lens series features both superb design and controls.
Elegant design
The exterior of the M.Zuiko Digital ED 12-100mm F4.0 IS PRO provides a premium feel that only a metal-bodied lens can provide.
Superb controls
Manual Focus Clutch mechanism
IS switch
L-Fn button
Manual Focus Clutch mechanism
The MF (manual focus) Clutch provides instant switching between auto and manual focusing. Simply pull the focus ring toward you to switch from autofocus to manual focus to shoot at your desired focus distance.
IS (lens image stabilisation) switch
This lets you instantly turn image stabilisation on or off.
L-Fn button
On the lens barrel is a customisable button to which a function of your choice can be assigned, via the camera. Once assigned, a simple push of this button will activate and deactivate your function of choice.
| Product type | Micro Four Thirds interchangeable lens system camera |
|---|---|
| Memory | SD, SDHC[1], SDXC[1], Eye-Fi Card compatible[2]
|
| Sensor size | 17.4 mm (H) x 13.0 mm (V) |
| Lens mount | Micro Four Thirds Mount |
| Product type | 4/3 Live MOS Sensor |
|---|---|
| Number of pixels / aspect ratio | Number of effective pixels: Approx. 20.4 million pixels Total number of pixels: Approx. 21.8 million pixels Aspect ratio: 1.33 (4:3) |
| Dust reduction | Supersonic Wave Filter (image sensor dust reduction system) |
| Recording format | DCF2.0, Exif2.3 |
|---|---|
| File format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording image size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
| Dual Slot Settings | Standard, Auto Switch, Dual Independent, Dual Same
|
| Folder creation and selection | With |
| Copy | Copy single file, copy multiple files, copy all
|
| Type | Built-in 5-axis sensor-shift image stabilisation for movie and still photos
|
|---|---|
| Mode | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Live View image stabilisation | Activation by half-pressing shutter button or enlarging the view |
| Focal length setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting |
| Lens IS priority | With |
| 5 axis Sync IS | With
|
| Stabilisation performance | 5.5 EV
|
| Finder type | Eye-level electronic viewfinder, approx. 2.36M dots |
|---|---|
| Field of view / Viewfinder magnification | Approx. 100% / Approx. 1.30x[1] - 1.48x[2] (-1m-1, 50mm lens, Infinity)
|
| Eye point / Dioptre adjustment range | Approx. 21 mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Preview | Live View preview with depth of field preview lock |
| Display Grid | Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid
|
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness and Colour Temperature Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control |
| S-OVF (Simulated OVF) | Expands the Live View dynamic range.
|
| Eye Cup | Optional eyecup EP-13 is available. |
| Live View | Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3 / x5 / x7 / x10 / x14), Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only) |
|---|---|
| Preview | Preview with depth of field preview lock |
| Live View Boost | Live View Boost 1 , Live View Boost 2 (slow frame rate for dark areas)
|
| Monitor type | 3.0-inch vari-angle monitor
|
|---|---|
| Touch control | Shutter release, magnification, AF area selection, AF area size adjustment, AF target pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer) |
| Tilting capability | With (mirror display when monitor is in self portrait position) |
| Brightness / Colour temperature control | ±7 levels / ±7 levels |
| Colour tone select | Vivid / Natural |
| AF system | High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected) |
|---|---|
| Focusing point | 121-point cross-type phase detection AF and 121-point contrast AF |
| Focusing point selection mode | All target, group target (9-area or 5-area), single target |
| Focus mode | Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF[*]
|
| AF performance | C-AF lock (5 steps), AF scanner (3 types) |
| AF limiter | With (Fn button can be assigned to On/Off; can save 3 settings)
|
| AF targeting pad | With (activate / deactivate with double tap on rear monitor) |
| Magnified frame AF | 3x , 5x , 7x , 10x , 14x
|
| Super spot AF | With (Contrast AF in center of the monitor when magnified)
|
| Face detection AF / Eye detection AF | With (Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority) |
| Manual focus assist | Focus ring rotation activates Live View image magnification and / or focus peaking when in S-AF+MF or MF mode |
| Peaking function | Activate with Fn button or focus ring Change peaking settings using the Info button Colour selection: white, black, red, yellow Intensity selection: high, normal, low Back light effect: on, off |
| AF Focus Adj. | Adjust all, adjust by lens (for Phase detection AF only) |
| AF illuminator | With |
| Metering system (TTL Image sensor metering) |
Digital ESP metering (324-area multi pattern metering), centre-weighted average metering, spot metering[*], spot metering with highlight control, spot metering with shadow control
|
|---|---|
| Metering range | EV- 2 - 20 (using 17 mm f/2.8, ISO 100) |
| Exposure mode / Shooting mode | iAuto (Live Guide can be used), P: program AE (programme shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual (Live Bulb, Live Time and Live Composite are available), Custom 1?3, Art Filter, Underwater wide / Underwater macro (to be assigned to the Fn1 button) |
| Live Guide | Saturation, Colour, Brightness, Background Blur, Expressing Motion, Shooting Tips
|
| ISO sensitivity | AUTO ISO (default) : LOW (approx. 64) ? 6400 with customizable upper limit (200 - 6400) Manual ISO : LOW (approx. 64), 200 - 25600 (adjustable in 1/3 or 1 EV steps) |
| Exposure compensation | ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps |
| AE lock | Locks with a half-press of the shutter button, AEL / AFL button (can be set to Fn button as well) |
| Shutter type | [Focal-plane shutter (mechanical shutter)] 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
[Electronic first curtain shutter (Anti-shock mode)] 1/320 - 60 sec. [Electronic shutter (Silent mode)] 1/32000 - 60 sec. |
|---|
| Sequential shooting maximum speed | [Sequential shooting H]?approx. 15 fps with selectable 10-15 fps [Sequential shooting L]?approx. 10 fps with selectable 1-10 fps [Anti-shock sequential shooting L]?approx. 8.5 fps with selectable 1-8 fps [Silent sequential shooting H]?approx. 60 fps with selectable 15, 20, 30, 60 fps [Silent sequential shooting L]?approx. 18 fps with selectable 1-10, 15, 18 fps [Pro Capture H]?approx. 60 fps with selectable 15, 20, 30, 60 fps [Pro Capture L]?approx. 18 fps with selectable 1-10, 15, 18 fps
|
|---|---|
| Sequential shooting frame count | 1- 99 frames |
Pre-shutter Frames
|
Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames. |
| Sequential shooting maximum recordable frames | [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames [Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full [Silent sequential shooting L 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames [Silent sequential shooting L 60fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
|
| Self-timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5 / 1 / 2 / 3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
| Flash intensity control method | TTL Auto, Auto[*], Manual, Super FP[*] (FP-TTL AUTO, FP-MANUAL)
|
|---|---|
| Bundled standard flash | FL-LM3 (dustproof and splashproof flash) GN = 9.1 (ISO100?m) / GN = 12.9 (ISO200?m) Bounce Capability (up and down: 45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
|
| Flash mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronisation speed | 1/250 sec.
|
| Flash intensity control | Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
| Compatible external flash | FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8 |
| Compatible external flash | FL-50R, FL-36R, FL-300R, FL-600R, FL-900R |
|---|---|
| Control method | Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R, STF-8 |
| External Flash intensity type | TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
| Channel | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| White balance mode | Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
|---|---|
| White balance compensation | ±7 steps along A-B / G-M axis (Except for Custom WB) |
| Colour matrix | sRGB, Adobe RGB |
|---|
| Mode | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Colour Creator, Art Filters |
|---|---|
| Gradation | Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator] |
| Hilight and shadow control | ±7 steps each for highlight, shadow, midtone |
| Art Filter (Variation / Art Effect) |
Pop Art (I, II / a.b.c.d.e.f) Soft Focus ( - / c.e) Pale & Light Colour (I, II / a.b.c.d.f) Light Tone ( - / d.f) Grainy Film (I, II / b.c.d.g.h) Pin Hole (I, II, III / d) Diorama ( I,II / d) Cross Process (I, II / b.c.d.f) Gentle Sepia ( - / a.b.c.d.f) Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h) Key Line (I, II / a.b.c.d.e) WaterColour (I, II / a.b.c.d) Vintage (I, II, III / a.b.c.d.e.f.i) Partial Colour (I, II, III / a.b.c.d.e.f) |
|---|---|
| Detail of Art Effect | a. Soft Focus Effect b. Pin-Hole Effect c. White Edge Effect d. Frame Effect e. Star Light Effect f. Blur Effect (Top & bottom, Left & Right) g. B&W Effect (None, Yellow, Orange, Red, Green) h. Pict. Tone (None, Sepia, Blue, Purple, Green) i. Shade Effect (Top & bottom, Left & Right) |
| Colour Ring (for partial color) | 18 colour selectable |
| Colour Creator | Colour pattern : 30 colours / Saturation setting -4 ~ +3 |
|---|
| Exposure bracketing | 2, 3 or 5 frames in 0.3 / 0.7 / 1.0 EV steps selectable, 7 frames in 0.3 / 0.7EV steps selectable |
|---|---|
| ISO bracketing | 3 frames in 0.3 / 0.7 / 1.0 EV steps selectable |
| White balance bracketing | 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
| Flash bracketing | 3 frames in 0.3 / 0.7 / 1.0 EV step selectable |
| Art Filter bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator selectable |
| Focus bracketing | 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
| Focus stacking | 8 shots are taken at different focus points and automatically composited together into a single image
|
| HDR(Auto composite) | HDR1, HDR2 (painting-like)
|
|---|---|
| Bracketing for HDR post process | 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
|
| Keystone Compensation | With (can be confirmed in Live View)
|
|---|
| Resolution | Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift)
|
|---|---|
| Shutter Type | Electronic shutter |
| Shutter Speed | 1/8000 - 60 sec. |
| Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30sec. |
| Charge Time | 0, 1, 2, 4, 8, 15, 30sec. |
| Shutter Type | Electronic first curtain shutter |
|---|---|
| Shutter Speed | 1/320 - 60 sec.
|
| Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec. |
| Shutter Type | Electronic shutter |
|---|---|
| Shutter Speed | 1/32000 - 60 sec. |
| Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec. |
| Silent Mode Settings | Settings for sound, AF illuminator, and flash can be customised (default setting is Off for all three) |
| Update interval time | 0.5 sec. - 60 sec. |
|---|
| Update interval time / composite method | 0.5 sec. - 60 sec. / Lighten Mode (Bright area prioritisation) |
|---|
| Interval Mode | Interval Time 1 sec. - 24 hours, Max 999 frames Automatic creation of time-lapse movies possible |
|---|
| Number of picture / Function | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
|---|
| Aspect Ratio | 4:3 (Default) / 3:2 / 16:9 / 1:1 / 3:4 |
|---|
| Magnification | x2 |
|---|
| Detection | 2-axis |
|---|
| Recording format | MOV(MPEG-4AVC/H.264), AVI(Motion JPEG) |
|---|---|
| Mode / frame rate / compression method | [MOV] 4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps) 3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) 1920x1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 1920x1080 (FHD) / 60p, 50p / IPB (SF, F, N) 1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 60p: 59.94 fps, 50p: 50.00 fps, 30p : 29.97 fps, 25p : 25.00 fps, 24p: 23.98 fps, C4K 24.00 fps FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps), FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx. 30 Mbps, N: Normal / approx. 18 Mbps) HD ALL-I (A-I: ALL-Intra / approx. 102 Mbps), HD IPB(SF : SuperFine / approx.26Mbps, F:Fine / approx.14Mbps, N : Normal / approx.10Mbps) [AVI] HD (1280x720) / 30p
|
| Maximum recording time | [MOV] Approx. 29min [AVI] HD: Approx. 7min[*]
|
| Art Filter Movie | With (Frame rates may drop when certain Art Filters are used) |
| Movie Effect | One-shot Echo / Multi-echo / Art Fade / Old Film |
| One-push Movie Digital Converter | Approx. 3x (enlarges view of touched area) |
| Time Lapse Movie | [AVI ] 3840 x 2160 (4K) / 5 fps 1920 x 1080 (FHD) / 5 fps, 10 fps, 15 fps 1280 x 720 (HD) / 5 fps, 10 fps, 15 fps, 30 fps |
| Clips | 1, 2, 4, 8 sec. (Further continued shooting possible up to 16 seconds by pressing movie record button again) |
| Quick Movie / Slow Movie | With (this function is not available for videos with certain frame rates) |
| Image Stabilization for Movie | M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS), M-IS2 (Image sensor shift with multi motion IS), Off
|
| Grid Line / Focus Peaking | 4 types of grid lines / 4 colours for focus peaking |
| Time code | Rec run/free run, drop frame/non-drop frame |
| REC Bit | With |
| Live View Output via HDMI | Monitor Mode (outputs video and info display to a connected monitor)[1] Record Mode (outputs video only, with no info display)[2]
|
| Movie Picture Mode | Flat |
| Exposure Control | Programme AE, aperture priority AE, shutter priority AE, manual |
| AE Lock | With |
| Recording format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|---|---|
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker
|
| Microphone function | Wind noise reduction, recording volume, microphone volume limiter, Audio dubbing possible for still pictures (up to 30 sec.)
|
| IC recorder linkage | Slate Tone / Synchronised Audio Rec-Movie Rec
|
| GPS info. Function | Via smartphone GPS data |
|---|---|
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off iAuto / ART / P / A / S / M (Live Bulb, Live Time, Live Composite) and drive mode can be selected. Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.
|
| Image Share | File Type: JPEG, MOV Connect to up to 4 devices simultaneously. Marking function for image share. |
| Easy Connection | QR code setting |
| Tethered shooting | Via USB cable (camera can be operated by both PC or camera controls) |
|---|
| Playback mode | Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display |
|---|---|
| Information display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Movie Editing function | Trimming (beginning / end) / in-movie image extraction (4K only)
|
|---|---|
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including e-Portrait, Color Creator, Art Filter, ART-BKT). 2 programmable settings, preview capability. |
| Print function | Print reservation (DPOF), Direct print (PictBridge compatible) |
|---|
| Languages | 34 languages selectable : - English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai |
|---|
| Mode dial my set | Modes C1, C2, and C3 can be accessed by mode dial |
|---|---|
| Menu my set | Modes C1, C2, and C3 can be accessed via the menu |
| Dial customization | Dial function and dial direction are customizable for both dials |
| Lever Customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions)
|
| Copyright Settings/Lens info Settings | With / With (save up to 10 lenses) |
| USB | USB Type-C |
|---|---|
| Remote controller connector | φ2.5Pin Jack (when using separately available RM-CB2) |
| HDMI connector | Micro HDMI (type D) |
| Flash attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Microphone input jack | φ3.5 stereo mini jack (plug-in power on/off) |
| Headphone connector | φ3.5 stereo mini jack |
| PC interface | Super Speed (USB3.0) |
| Battery | BLH-1 Li-ion battery (included) |
|---|---|
| Battery status display | Remaining power (4 steps, %, or by-minute display), shot count, degradation |
| Power Battery Holder | HLD-9 power battery holder is separately available (holds one BLH-1 battery). |
| AC Adapter | AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera). |
| Sleep mode | With (1 / 3 / 5 min. off) |
| Number of recordable images | Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) |
| Battery life for movie recording |
Approx. 90 minutes (under standard JEITA testing) Approx. 150 minutes (when zoom and other operational functions are not used)
|
| Dimensions | W: 134.1 mm, H: 90.9 mm, D: 68.9 mm (based on CIPA standards: excludes protrusions) |
|---|---|
| Weight | Approx. 574 g (with BLH-1 battery and Memory card, based on CIPA standards) Approx. 498 g (body only) |
| Temperature | -10? ~ +40? (when in operation) / -20 ~ +60? (when stored) |
|---|---|
| Humidity | 30 - 90% (when in operation) / 10 - 90% (when stored) |
| Box contents | Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery, BCH-1 rapid Li-ion battery charger |
|---|
Focal Length 12-100mm (35mm equivalent focal length: 24-200mm)
Lens Construction
17 Elements in 11 Groups (1 DSA lens, 3 Aspherical lenses, 5 ED lenses, 2 Super HR lenses, 1 HR lens)
Lens construction diagram
MTF chart
Splashproofing Dustproof and splashproof construction
Focusing System High-speed imager AF (MSC)
Angle of View 84 degrees (wide) - 12 degrees (tele)
Closest Focusing Distance 0.15m (wide) / 0.45m (tele)
Maximum Image Magnification 0.15m (wide) / 0.45m (tele)
35mm Equivalent Maximum Image Magnification 0.6x (wide) / 0.42x (tele)
Minimum Field Size 57.7 x 43.3 mm (wide) / 82.4 x 61.9 mm (tele)
Number of Blades 7 (circular aperture diaphragm)
Maximum Aperture f/4
Minimum Aperture f/22
Lens IS Mechanism VCM
IS Performance 5-axis Sync IS: 6.5 stops
(As of September 2016. According to CIPA standards. When attached to the OM-D E-M1 Mark II, with yaw and pitch applied to the camera, half-press IS set to Off, and focal length set to 100mm)
Lens IS: 5 stops
(When focal length is set to 100mm)
Filter size Diameter: 72 mm
Lens hood Screw-on type
Dimensions Ø77.5 x 116.5 mm
Weight 561 g
Box Contents LH-76B Lens Hood, LC-72C Lens Cap, LR-2 Lens Rear Cap, LSC-0914 Lens Case, instruction manual, warranty card
