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Tascam Tascam Us-366 USB Audio Interface US-366

CMI Tascam ACCMITA41136
Tascam Tascam Us-366 USB Audio Interface US-366
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About the Tascam Tascam Us-366 USB Audio Interface US-366

High-Quality HDDA – High Definition Discrete Architecture – Mic Pre-Amplifiers
To ensure superior sound, TASCAM organized months of tests and trials to design the HDDA mic pre-amplifier. Manufactured with a discrete structure and select premium parts, the HDDA pre-amp achieves a wide frequency response (10Hz to 68kHz), high S/N ratio, low noise and low THD+N.
US-366: Up to 192kHz/24bit Recording
In the process of creating music, many engineers have started utilizing high-resolution formats while recording to ensure the best quality sounds. The US-366 is suited perfectly for these high-quality minded recordings.

Two XLR/TRS (MIC/LINE) Inputs with Full +48V Phantom Power Supply
The US-366 is designed with two XLR with +48V phantom power and two TRS inputs. Having both options for condenser mics and line level inputs ensures you are getting the best possible sound and lowest-noise when recording. In addition, INPUT-1 can connect any high-impedance equipment directly, like a guitar.

 

On-Board Digital Mixer (DSP Mixer) for Easy, Convenient Professional Recording To TOP



The DSP Mixer Has Two Operational Modes Designed for Music Creation and Podcasting
The DSP mixer function provides a multi-track mode and a stereo-mix mode.
 
Multi-track Mode
The multi-track mode is ideal for music creation. This mode delivers independent monitor-mixing from a send-level like an inline-console to a PC. In addition, this mode delivers monaural-monitoring.
Stereo-mix Mode
The stereo-mix mode makes podcast recording or broadcasting convenient and easy. An output audio signal from any PC can relay that signal back to the PC again via your DSP mixer. Any BGM from a PC can mix your voice by microphone then the mixed sound will transfer back to the PC again.
On-Board Effects Supports High-Quality Recording (Send Effects and Insert Effects)
The US-366 is designed with on-board effects such as compressor, 3-band EQ and Reverb all located on-board the DSP. While recording, you can use the input effects for any input signal and the reverb effect on any monitoring signal at the same time. 
(DSP effects can use on 44.1/48kHz operating) 

Insert Effects
The input effects can be selected from compressor or 3-band EQ. Input effects can use various recording. For example, while recording vocals you can boost your high-frequency range with the 3-band EQ. Also, the compressor effect is very convenient at recording especially for bass guitar, vocal and drums.
Send Effect
The send effect include just reverb. The reverb effect is necessary articles at recording. Monitoring sound will get wet-sound by this reverb effect, but a send-sound to a PC keeps just dry sound.
Dedicated MIXER PANEL Button Recalls The DSP Mixer with One-Click
The US-366 is built with a "MIXER PANEL" button located conveniently on top. This button provides a one-click recall function for the DSP-mixer. When pushed a second time the mixer panel will be conveniently hidden.

 

Suited for Various Recording Environments with Adaptable Features To TOP
Low-Latency Monitoring via DSP Mixer for Stress-Free Recording
The US-322 and the US-366 provide low-latency monitoring via the on-board digital mixer. Volume can be monitored and adjusted easily with the dedicated knob on the top-panel.
Oversized LINE OUT Volume Knob for Easy Monitor Level Setting
This oversized volume knob can be an integral setting for easy and speedy fine level adjustments.
Classy Desktop Design, Luxurious Feel and Rugged Aluminum Body
The US-366 looks so good, you'll be motivated to use it. The adopted "Desktop Layout" makes these models easy-to-use even in tight spaces.

US-366 SPECIFICATIONS

  US-366 US-322
Supported sampling frequency 44.1/48/88.2/96/176.4/192kHz 44.1/48/88.2/96kHz
Supported bit rate 16/24bit (Internal operation is 24bit)
Analog audio Inputs  
MIC IN
(INPUT 1/L, 2/R)
XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED
Input impedance 2.2kohms
Nominal input level
(INPUT:MAX)
-65dBu
Nominal input level
(INPUT:MIN)
-22dBu
Maximum input level
(INPUT:MIN)
-6dBu
LINE IN
(INPUT 1/L, 2/R)
6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
Input impedance 15kohms(LINE)/1Mohms(GUITAR)
Nominal input level
(INPUT:MAX)
-39dBu(LINE)/-55dBV(GUITAR)
Nominal input level
(INPUT:MIN)
+4dBu(LINE)/-12dBV(GUITAR)
Maximum input level
(INPUT:MIN)
+20dBu(LINE)/+4dBV(GUITAR)
LINE IN
(LINE I/O 3-4)
RCA pin-jack
(When set to "INPUT" at LINE I/O switch)
-
Input impedance 15kohms -
Nominal input level -10dBV -
Maximum input level +6dBV -
Analog audio outputs  
LINE OUT
(LINE OUT 1/L, 2/R)
6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED
Output impedance 100ohms
Nominal output level +4dBu
Maximum output level +20dBu
LINE OUT
(US-366:LINE I/O 3-4)
(US-322:LINE I/O 1-2)
RCA pin-jack
(When set to "OUTPUT" at LINE I/O switch)
Output impedance 200ohms
Nominal output level -10dBV
Maximum output level +6dBV
Digital audio inputs  
COAXIAL
(DIGITAL IN)
RCA pin-jack
(When set to "COAXIAL" at DIGITAL IN switch)
-
Format IEC60958-3(S/P DIF) -
OPTICAL
(DIGITAL IN)
TOS (JEITA RC-5720C) 
(When set to "OPTICAL" at DIGITAL IN switch)
-
Format IEC60958-3(S/P DIF) -
Digital audio outputs  
COAXIAL
(DIGITAL OUT)
RCA pin-jack -
Format IEC60958-3(S/P DIF)/ IEC60958-4(AES/EBU)* -
OPTICAL
(DIGITAL OUT)
TOS (JEITA RC-5720C) -
Format IEC60958-3(S/P DIF)/ IEC60958-4(AES/EBU)* -
  *Output format can be selected ”S/P DIF” or ”AES/EBU” on INTERFACE tab of DSP mixer.
PHONES  
Connector 6.3mm(1/4") stereo phone jack
Maximum output level 18mW+18mW or more(THD+N 0.1% or less, 32ohms loaded)
USB  
Connector USB B type 4-pin
Format USB2.0 HIGH SPEED mass storage class
REMOTE  
Connector 2.5mm TRS-jack -
Supported protcol Dedicated protocol for RC-3F
(Mackie Control or HUI emulation)
-
Power USB bus powered (5V, Max 500mA)
Power consumption 2.5W
Dimensions 140(W)×42(H)×140(D)mm
Weight 500g
Operating temperature 5-35?C

 

Audio performance
ADC chip set dynamic range 102dB *1
DAC chip set dynamic range 106dB *2
Frequency response  
Mic preampr 10Hz to 68kHz, +0.5/-3.0dB
MIC IN to LINE OUT 10Hz to 68kHz, +0.5/-3.0dB 10Hz to 40kHz, +0.5/-3.0dB
MIC IN to PHONES 10Hz to 30kHz, +0.5/-1.0dB
THD 0.0045% or less *3
S/N ratio 98dB or more *4
EIN -120dBu or less *5

 

Operating system requirements
Windows
OS Windows XP(32-bit SP3, 64-bit SP2), Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit)

* For further information of the latest OS version, please click here.
DRIVER ASIO2.0, WDM(MME)
Macintosh
OS Mac OS X Snow Leopard(10.6.8), OS X Lion(10.7), OS X Mountain Lion(10.8), OS X Mavericks(10.9)

* For further information of the latest OS version, please click here.
DRIVER Core Audio

*1 FS=48kHz, A-Weight
*2 FS=44.1kHz, A-Weight
*3 US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=176.4/192kHz, JEITA
US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=88.2/96kHz, JEITA
*4 US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=176.4/192kHz, JEITA
US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=88.2/96kHz, JEITA
*5 US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MAX position, FS=176.4/192kHz, JEITA
US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MAX position, FS=88.2/96kHz, JEITA

 

 
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