$280.95
To ensure superior sound, TASCAM organized months of tests and trials to design the HDDA mic pre-amplifier. Manufactured with a discrete structure and select premium parts, the HDDA pre-amp achieves a wide frequency response (10Hz to 68kHz), high S/N ratio, low noise and low THD+N. |
The US-366 is designed with two XLR with +48V phantom power and two TRS inputs. Having both options for condenser mics and line level inputs ensures you are getting the best possible sound and lowest-noise when recording. In addition, INPUT-1 can connect any high-impedance equipment directly, like a guitar. |
On-Board Digital Mixer (DSP Mixer) for Easy, Convenient Professional Recording | To TOP |
Multi-track Mode The multi-track mode is ideal for music creation. This mode delivers independent monitor-mixing from a send-level like an inline-console to a PC. In addition, this mode delivers monaural-monitoring. |
Stereo-mix Mode The stereo-mix mode makes podcast recording or broadcasting convenient and easy. An output audio signal from any PC can relay that signal back to the PC again via your DSP mixer. Any BGM from a PC can mix your voice by microphone then the mixed sound will transfer back to the PC again. |
Insert Effects The input effects can be selected from compressor or 3-band EQ. Input effects can use various recording. For example, while recording vocals you can boost your high-frequency range with the 3-band EQ. Also, the compressor effect is very convenient at recording especially for bass guitar, vocal and drums. |
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Send Effect The send effect include just reverb. The reverb effect is necessary articles at recording. Monitoring sound will get wet-sound by this reverb effect, but a send-sound to a PC keeps just dry sound. |
The US-366 is built with a "MIXER PANEL" button located conveniently on top. This button provides a one-click recall function for the DSP-mixer. When pushed a second time the mixer panel will be conveniently hidden. |
Suited for Various Recording Environments with Adaptable Features | To TOP |
The US-322 and the US-366 provide low-latency monitoring via the on-board digital mixer. Volume can be monitored and adjusted easily with the dedicated knob on the top-panel. |
This oversized volume knob can be an integral setting for easy and speedy fine level adjustments. |
The US-366 looks so good, you'll be motivated to use it. The adopted "Desktop Layout" makes these models easy-to-use even in tight spaces. |
US-366 | US-322 | |
Supported sampling frequency | 44.1/48/88.2/96/176.4/192kHz | 44.1/48/88.2/96kHz |
Supported bit rate | 16/24bit (Internal operation is 24bit) | |
Analog audio Inputs | ||
MIC IN (INPUT 1/L, 2/R) |
XLR-3-31(1:GND, 2:HOT, 3:COLD), BALANCED | |
Input impedance | 2.2kohms | |
Nominal input level (INPUT:MAX) |
-65dBu | |
Nominal input level (INPUT:MIN) |
-22dBu | |
Maximum input level (INPUT:MIN) |
-6dBu | |
LINE IN (INPUT 1/L, 2/R) |
6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED | |
Input impedance | 15kohms(LINE)/1Mohms(GUITAR) | |
Nominal input level (INPUT:MAX) |
-39dBu(LINE)/-55dBV(GUITAR) | |
Nominal input level (INPUT:MIN) |
+4dBu(LINE)/-12dBV(GUITAR) | |
Maximum input level (INPUT:MIN) |
+20dBu(LINE)/+4dBV(GUITAR) | |
LINE IN (LINE I/O 3-4) |
RCA pin-jack (When set to "INPUT" at LINE I/O switch) |
- |
Input impedance | 15kohms | - |
Nominal input level | -10dBV | - |
Maximum input level | +6dBV | - |
Analog audio outputs | ||
LINE OUT (LINE OUT 1/L, 2/R) |
6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND), BALANCED | |
Output impedance | 100ohms | |
Nominal output level | +4dBu | |
Maximum output level | +20dBu | |
LINE OUT (US-366:LINE I/O 3-4) (US-322:LINE I/O 1-2) |
RCA pin-jack (When set to "OUTPUT" at LINE I/O switch) |
|
Output impedance | 200ohms | |
Nominal output level | -10dBV | |
Maximum output level | +6dBV | |
Digital audio inputs | ||
COAXIAL (DIGITAL IN) |
RCA pin-jack (When set to "COAXIAL" at DIGITAL IN switch) |
- |
Format | IEC60958-3(S/P DIF) | - |
OPTICAL (DIGITAL IN) |
TOS (JEITA RC-5720C) (When set to "OPTICAL" at DIGITAL IN switch) |
- |
Format | IEC60958-3(S/P DIF) | - |
Digital audio outputs | ||
COAXIAL (DIGITAL OUT) |
RCA pin-jack | - |
Format | IEC60958-3(S/P DIF)/ IEC60958-4(AES/EBU)* | - |
OPTICAL (DIGITAL OUT) |
TOS (JEITA RC-5720C) | - |
Format | IEC60958-3(S/P DIF)/ IEC60958-4(AES/EBU)* | - |
*Output format can be selected ”S/P DIF” or ”AES/EBU” on INTERFACE tab of DSP mixer. | ||
PHONES | ||
Connector | 6.3mm(1/4") stereo phone jack | |
Maximum output level | 18mW+18mW or more(THD+N 0.1% or less, 32ohms loaded) | |
USB | ||
Connector | USB B type 4-pin | |
Format | USB2.0 HIGH SPEED mass storage class | |
REMOTE | ||
Connector | 2.5mm TRS-jack | - |
Supported protcol | Dedicated protocol for RC-3F (Mackie Control or HUI emulation) |
- |
Power | USB bus powered (5V, Max 500mA) | |
Power consumption | 2.5W | |
Dimensions | 140(W)×42(H)×140(D)mm | |
Weight | 500g | |
Operating temperature | 5-35?C |
Audio performance | ||
ADC chip set dynamic range | 102dB *1 | |
DAC chip set dynamic range | 106dB *2 | |
Frequency response | ||
Mic preampr | 10Hz to 68kHz, +0.5/-3.0dB | |
MIC IN to LINE OUT | 10Hz to 68kHz, +0.5/-3.0dB | 10Hz to 40kHz, +0.5/-3.0dB |
MIC IN to PHONES | 10Hz to 30kHz, +0.5/-1.0dB | |
THD | 0.0045% or less *3 |
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S/N ratio | 98dB or more *4 | |
EIN | -120dBu or less *5 |
Operating system requirements | |
Windows | |
OS | Windows XP(32-bit SP3, 64-bit SP2), Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit) * For further information of the latest OS version, please click here. |
DRIVER | ASIO2.0, WDM(MME) |
Macintosh | |
OS | Mac OS X Snow Leopard(10.6.8), OS X Lion(10.7), OS X Mountain Lion(10.8), OS X Mavericks(10.9) * For further information of the latest OS version, please click here. |
DRIVER | Core Audio |
*1 | FS=48kHz, A-Weight |
*2 | FS=44.1kHz, A-Weight |
*3 | US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=176.4/192kHz, JEITA US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=88.2/96kHz, JEITA |
*4 | US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=176.4/192kHz, JEITA US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MIN position, FS=88.2/96kHz, JEITA |
*5 | US-366:MIC IN to LINE OUT, INPUT 1/2 knobs at MAX position, FS=176.4/192kHz, JEITA US-322:MIC IN to LINE OUT, INPUT 1/2 knobs at MAX position, FS=88.2/96kHz, JEITA |